It's just a game where, if you take it upon yourself to beat the ever-loving shit out of that bookcase, you may well find you can access a crumbled tower and a useful treasure chest within. This isn't a game where there are 'secrets' hidden in every room. But on a smaller scale, it lets you break or move an enormous number of things for much more minor detail. Just think about the logistics of that - there's never a moment where killing one particular person sees the story crash into a wall, or forces a reload because it doesn't allow its threads to come together later. Famously you can kill absolutely anybody in the game, and still finish its main quest. But few let you smash stuff in order to meddle with its plans.ĭOS2 offers you the most extraordinary amount of freedom when it comes to just how much you can muck about within its world. In fact, a game that doesn't let you smash stuff is verboten. Below I celebrate its extraordinary replayability, the joy of moving furniture, and hideous undulating flesh blobs. While Adam has the definitive word in his Divinity: Original Sin 2 review, I've found myself unable to stop playing in every spare moment, and jotted down some of the very many things that make this game stand out, make it feel so very special.

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